negative3.txt

story bogus characters tissuethin 
whereas extremely competent hitman films such pulp fiction shorty resonate sardonic verve caustic purpose existing cletis tout inexpressible drab wannabe looking exact niche 
while american adobo has heart palate right place brain little scattered ditsy 
confusing drudgery 
imagine film begins seven ripoff switch mix shining thing naked teenagers horror flick s 
dialogue made pack raw dough ears 
costners warmmilk persona illfitting shadyacs perfunctory directing chops more overtly silly dialogue sink laurence olivier 
coherent shot tartly acted wears down like dinner guest showing off doctorate 
directed kevin bray whose crisp framing edgy camera wholesale ineptitude acting tone pace very obviously mark video helmer making feature debut 
turns potentially interesting idea excruciating film school experience plays better films publicists people take many drugs films characters 
robin williams departs fun friendly demeanor exchange darker unnerving role 
high crimes cinematic misdemeanor routine crime thriller remarkable lack logic misuse fine actors morgan freeman ashley judd 
set harlem doesnt much like anywhere new york 
chocolate factory without charlie 
long twinklyeyed closeups short shame 
hiphop rarely comes alive own firebreathing entity picture 
wellcrafted letdown 
dull somnambulant exercise pretension whose pervasive quiet broken frequent outbursts violence noise 
deserving critical backlash more 
boring meandering 
neither rousing success nor blinding embarrassment still sits like side dish no ordered 
sum fears remarkably fuddled motives context drains dramatic substance shake boots cinema seats 
movie spends more time schneider newcomer mcadams though performance more interesting funnier 
lowrent lowerwit ripoff farrelly brothers oeuvre gets too mushy relatively short amount time 
recycles every clich gays essentially extended soap opera 
im mentally challenged getting fair shot movie business surely doesnt collection keening selfmutilating sideshow geeks 
may offend viewers not amused sick sense humor 
many benjamins elements feel like theyve been patched episode miami vice 
aimlessly unsuccessfully attempts fuse least three dull plots good 
folks real stake american sexual landscape find either moderately amusing plain irrelevant 
youre not fans adventues steve terri should avoid like dreaded king brown snake personally id rather watch animal planet 
cherish dud romantic comedy thats not least bit romantic mildly funny 
feels inmates actually taken asylum 
filmmakers calculations cant rescue brown sugar curse blandness 
movies gloomy atmosphere fascinating though movie itself doesnt stand ghost chance 
postseptember sum fears seems more tacky reprehensible manipulating collective fear without bestowing subject intelligence sincerity unequivocally deserves 
exclamation point seems bit glee youll find dreary mess 
no matter slice mark wahlberg thandie newton not hepburn grant cinematic icons chemistry galore 
godards ode tackling lifes wonderment rambling incoherent manifesto vagueness topical excess praise love remains ponderous pretentious endeavor thats unfocused tediously exasperating 
humorless selfconscious art drivel made without glimmer intelligence invention 
movies progression rambling incoherence gives new meaning phrase fatal script error 
solondz may convinced has something significant isnt talking talk appeals 
more tiring anything 
nelsons intentions good end result does no justice story itself horribly depressing not very done 
efforts star kline lend dignity dumb story naught 
goodnatured ensemble comedy tries hard make bumper cast never quite gets off ground 
isnt bit early career director barry sonnenfeld homage himself lousy 
overly long worshipful biodoc 
ill limb isnt quite worst movies merely very bad 
writerdirector ritchie reduces wertmullers social mores politics tiresome jargon