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jahhills.json
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[
{
"model": "music.release",
"pk": 1,
"fields": {
"publish": true,
"publish_on": "2007-06-01T19:34:26Z",
"title": "Collective Psychosis Begone",
"slug": "collective-psychosis-begone",
"date": "2007-06-05",
"cover_url": "http://hallelujahthehills.com/files/artwork/cpb_cover.jpg",
"player_code": "<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=1379916105/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=none/transparent=true/\" seamless><a href=\"http://hallelujahthehills.bandcamp.com/album/collective-psychosis-begone\">Collective Psychosis Begone by Hallelujah The Hills</a></iframe>",
"description": "<p>Available on:\r\n<a href=\"https://itunes.apple.com/us/album/collective-psychosis-begone/id435836763\">iTunes</a>,\r\n<a href=\"https://www.amazon.com/gp/product/B005DKYMZ6\">Amazon</a>,\r\n<a href=\"https://play.spotify.com/album/3y0XAcEI867TrIHLv7gSiA\">Spotify</a>,\r\n<a href=\"https://play.google.com/store/music/album/Hallelujah_the_Hills_Collective_Psychosis_Begone?id=Bgiprmdu4gp5khdbgboxwsqoik4\">Google Play</a>\r\n<br>Released by Misra Records</p>",
"credits": "<p>Recorded March–September 2006<br />Drums recorded by Eric Penna, Lifted And Gifted Studios<br />Produced & mixed by Ryan Walsh<br />Mastered by Jeff Lipton, Peerless Mastering<br />Artwork by Ryan Walsh<br />All songs written by Ryan Walsh, © 2007 Reverse The Tape Decks (ASCAP)</p>\r\n<p>The Band: David Bentley, Matthew Brown, Joseph Marrett, Eric Meyer, Brian Rutledge, Ryan Walsh</p>\r\n<p>Guests: Evan Sicuranza, David Michael Curry, Lilian Belknap, Derek Mueller, Deirdre Ilkson</p>",
"priority": null
}
},
{
"model": "music.release",
"pk": 2,
"fields": {
"publish": false,
"publish_on": "2008-04-08T12:25:04Z",
"title": "Prepare To Qualify EP",
"slug": "prepare-to-qualify",
"date": "2008-04-08",
"cover_url": "http://hallelujahthehills.com/files/artwork/ptq_cover.jpg",
"player_code": "",
"description": "<p>Included on <cite><a href=\"/music/portrait/\">Portrait Of The Artist As A Young Trash Can </a></cite>. <br>Released by Discrete Pageantry Records.</p>",
"credits": "<p>Produced & mixed by Ryan Walsh<br />Mastered by Jeff Lipton, Peerless Mastering<br />Artwork by Ryan Walsh</p>\r\n<p>The Band: David Bentley, Elio DeLuca, Joseph Marrett, Eric Meyer, Brian Rutledge, Ryan Walsh</p>",
"priority": null
}
},
{
"model": "music.release",
"pk": 3,
"fields": {
"publish": true,
"publish_on": "2009-07-06T09:32:58Z",
"title": "Colonial Drones",
"slug": "colonial-drones",
"date": "2009-09-22",
"cover_url": "http://hallelujahthehills.com/files/artwork/drones_cover.jpg",
"player_code": "<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=410889142/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=none/transparent=true/\" seamless><a href=\"http://hallelujahthehills.bandcamp.com/album/colonial-drones\">Colonial Drones by Hallelujah The Hills</a></iframe>",
"description": "<p>Available on:\r\n<a href=\"https://itunes.apple.com/us/album/colonial-drones/id435829429\">iTunes</a>,\r\n<a href=\"https://www.amazon.com/gp/product/B005DJSOZQ\">Amazon</a>,\r\n<a href=\"https://play.spotify.com/album/4jlUy40UKx1UxiNnkgcipj\">Spotify</a>,\r\n<a href=\"https://play.google.com/store/music/album/Hallelujah_the_Hills_Colonial_Drones?id=Bere4umri4kuxy7bmxwdksvicc4\">Google Play</a>\r\n<br>Released by Misra Records.</p>",
"credits": "<p>Recorded July 2008 – January 2009 at <a href=\"http://www.soulshoprecording.com/\">The Soul Shop</a>, Medford, MA<br />Produced by Ryan Walsh<br />Recorded by Elio DeLuca<br />Mixed by Elio DeLuca and Ryan Walsh at the Soul Shop<br />Mastered by Jeff Lipton at <a href=\"http://www.peerlessmastering.com/\">Peerless Mastering</a>, Boston, MA<br />Artwork by Ryan Walsh<br />All songs written by Ryan Walsh, © 2007 Reverse The Tape Decks (ASCAP)</p>\r\n<p>The Band: David Bentley, Elio DeLuca, Joseph Marrett, Eric Meyer, Brian Rutledge, Ryan Walsh</p>",
"priority": null
}
},
{
"model": "music.release",
"pk": 7,
"fields": {
"publish": true,
"publish_on": "2012-04-01T21:08:47Z",
"title": "No One Knows What Happens Next",
"slug": "no-one-knows-what-happens-next",
"date": "2012-05-22",
"cover_url": "http://hallelujahthehills.com/files/images/nokwhn_cover.jpg",
"player_code": "<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=37941206/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=none/transparent=true/\" seamless><a href=\"http://hallelujahthehills.bandcamp.com/album/no-one-knows-what-happens-next\">No One Knows What Happens Next by Hallelujah The Hills</a></iframe>",
"description": "<p>Available on:\r\n<a href=\"http://hallelujahthehills.bandcamp.com/album/no-one-knows-what-happens-next\">Bandcamp</a>,\r\n<a href=\"https://itunes.apple.com/us/album/no-one-knows-what-happens-next/id508218327\">iTunes</a>,\r\n<a href=\"https://www.amazon.com/One-Knows-What-Happens-Next/dp/B007KLY8QY\">Amazon</a>,\r\n<a href=\"https://play.spotify.com/album/1Tv6JULJSILBymJDTQAaCk\">Spotify</a>,\r\n<a href=\"https://play.google.com/store/music/album/Hallelujah_The_Hills_No_One_Knows_What_Happens_Nex?id=B2f6r7cpowkt7gzetnslemz5smm\">Google Play</a>\r\n<br>Released by Discrete Pageantry Records</p>",
"credits": "<p>Recorded at The Soul Shop, Medford, MA by Elio DeLuca <br /> Tape transfer by Jack Younger at Watch City Studios <br /> Mixed by Rafi Sofer & Ryan Walsh at Q Division <br /> Mastered by Jonathan Wyner at M-Works <br /> All songs written by Ryan Walsh, © 2012 Reverse The Tape Decks (ASCAP) <br /> All songs arranged by Hallelujah The Hills.</p>\r\n<p>Band:</p>\r\n<ul>\r\n<li>David Bentley - cello, guitar, backing vocals </li>\r\n<li>David Bryson - drums </li>\r\n<li>Elio DeLuca - keys, percussion, backing vocals </li>\r\n<li>Joseph Marrett - banjo, cuatro, tambo, backing vocals </li>\r\n<li>Brian Rutledge - trumpet, trombone, backing vocals </li>\r\n<li>Ryan Walsh - guitar, vocals, samples </li>\r\n<li>Nicholas Giadone Ward - bass, backing vocals </li>\r\n</ul>\r\n<p>Guests:</p>\r\n<ul>\r\n<li>Noell Dorsey, Katie Von Schleicher, Leah Hennessy - vocals on 1 and 8 </li>\r\n<li>Mike Fiore - vocals on 3, 4, and 6 </li>\r\n<li>Marissa Nadler - vocals on 4</li>\r\n</ul>",
"priority": null
}
},
{
"model": "music.release",
"pk": 9,
"fields": {
"publish": true,
"publish_on": "2013-05-07T21:31:19Z",
"title": "Portrait Of The Artist As A Young Trashcan",
"slug": "portrait",
"date": "2013-05-07",
"cover_url": "http://hallelujahthehills.com/files/artwork/portrait_cover.jpg",
"player_code": "<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"http://bandcamp.com/EmbeddedPlayer/album=2478133405/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=none/transparent=true/\" seamless><a href=\"http://hallelujahthehills.bandcamp.com/album/portrait-of-the-artist-as-a-young-trash-can\">Portrait Of The Artist As A Young Trash Can by Hallelujah The Hills</a></iframe>",
"description": "<p>A collection of singles, B-sides, and unreleased material from our storied “career”, placed all together in an order that plays out like the double album we never released. For a guided tour of the proceedings, check out Ryan's <a href=\"/portrait/notes.html\">song-by-song notes</a>.</p>\r\n\r\n<p>Available on:\r\n<a href=\"http://hallelujahthehills.bandcamp.com/album/portrait-of-the-artist-as-a-young-trash-can\">Bandcamp</a>,\r\n<a href=\"https://itunes.apple.com/us/album/portrait-artist-as-young-trashcan/id641120139\">iTunes</a>,\r\n<a href=\"https://www.amazon.com/gp/product/B00CJ7FEW6\">Amazon</a>,\r\n<a href=\"https://play.spotify.com/album/4GN0oH6nnIyTUvPR7bmG7y\">Spotify</a>,\r\n<a href=\"https://play.google.com/store/music/album/Hallelujah_The_Hills_Portrait_of_the_Artist_as_a_Y?id=Bexg22lcyt4vybz474thhrfcie4\">Google Play</a>\r\n<br>Released by Discrete Pageantry Records</p>",
"credits": "",
"priority": null
}
},
{
"model": "music.release",
"pk": 10,
"fields": {
"publish": true,
"publish_on": "2014-03-24T21:22:09Z",
"title": "Have You Ever Done Something Evil?",
"slug": "have-you-ever-done-something-evil",
"date": "2014-05-13",
"cover_url": "http://hallelujahthehills.com/files/artwork/hyedse_cover.jpg",
"player_code": "<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2575058676/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=none/transparent=true/\" seamless><a href=\"http://hallelujahthehills.bandcamp.com/album/have-you-ever-done-something-evil\">Have You Ever Done Something Evil? by Hallelujah The Hills</a></iframe>",
"description": "<p>Available on:\r\n<a href=\"http://hallelujahthehills.bandcamp.com/album/have-you-ever-done-something-evil\">Bandcamp</a>, \r\n<a href=\"https://itunes.apple.com/us/album/have-you-ever-done-something/id848361094\">iTunes</a>, \r\n<a href=\"http://www.amazon.com/Have-Ever-Done-Something-Evil/dp/B00J8V0R5K\">Amazon</a>,\r\n<a href=\"https://play.spotify.com/album/4GN0oH6nnIyTUvPR7bmG7y\">Spotify</a>,\r\n<a href=\"https://play.google.com/store/music/album/Hallelujah_The_Hills_Have_You_Ever_Done_Something?id=Bgy5dgwclwowkp5wp6433etldp4\">Google Play</a>\r\n<br>Released by Discrete Pageantry Records</p>\r\n\r\n<p><a href=\"https://hallelujahthehills.bandcamp.com/album/have-you-ever-done-something-evil\">180-gram vinyl</a> from Re-Vinyl Records available on Bandcamp.</p>",
"credits": "<p>Recorded at 1809 Studios, Macedon, NY - 1809studios.com<br />Produced by Hallelujah the Hills & Dave Drago<br />Mixed & mastered at Machines With Magnets, Pawtucket, RI by Seth Manchester, Keith Souza, & Ryan Walsh<br />\"You Got Fooled\" engineered & mixed at Q Division Studios, Somerville, MA by Matt Beaudoin<br />Copyright ©2014 Reverse The Tape Decks ASCAP</p>\r\n<p>Band:</p>\r\n<p>Ryan Connelly – Drums, Vocals<br />Joseph Marrett – Bass, Vocals<br />Brian Rutledge – Trumpet, Moog, Vocals<br />Ryan Walsh – Guitar, Vocals<br />Nicholas Ward – Bass, Piano, Vocals</p>\r\n<p>Special Guests: Madeline Forster and Dave Drago</p>",
"priority": null
}
},
{
"model": "music.release",
"pk": 11,
"fields": {
"publish": true,
"publish_on": "2015-04-06T21:18:49Z",
"title": "Juvenile Oratorios EP",
"slug": "juvenile-oratorios-ep",
"date": "2014-10-17",
"cover_url": "http://hallelujahthehills.com/files/artwork/juvenile_oratorios_cover_large.jpg",
"player_code": "<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=1568505537/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=none/transparent=true/\" seamless><a href=\"http://hallelujahthehills.bandcamp.com/album/juvenile-oratorios-ep\">Juvenile Oratorios EP by Hallelujah The Hills</a></iframe>",
"description": "<p>Available on <a href=\"https://hallelujahthehills.bandcamp.com/album/juvenile-oratorios-ep\">Bandcamp</a>\r\n<br>Released by Discrete Pageantry Records</p>",
"credits": "<p>Recorded and mixed by Hallelujah The Hills <br />Mastered by Machines With Magnets</p>",
"priority": null
}
},
{
"model": "music.release",
"pk": 12,
"fields": {
"publish": true,
"publish_on": "2016-02-25T11:13:23Z",
"title": "A Band Is Something To Figure Out",
"slug": "a-band-is-something-to-figure-out",
"date": "2016-04-12",
"cover_url": "http://hallelujahthehills.com/files/artwork/abistfo_cover.jpg",
"player_code": "<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2380355703/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=none/transparent=true/\" seamless><a href=\"http://hallelujahthehills.bandcamp.com/album/a-band-is-something-to-figure-out\">A Band Is Something To Figure Out by Hallelujah The Hills</a></iframe>",
"description": "<p>Available on: <a href=\"https://hallelujahthehills.bandcamp.com/album/a-band-is-something-to-figure-out\">Bandcamp</a>, <a href=\"https://itunes.apple.com/us/album/band-is-something-to-figure/id1085805313\">iTunes</a>, <a href=\"https://www.amazon.com/gp/product/B01BXHIXP2\">Amazon</a>, <a href=\"https://play.spotify.com/album/6oZg2xH1Apnbm11ato8W2N \">Spotify</a>, <a href=\"https://play.google.com/store/music/album/Hallelujah_The_Hills_A_Band_Is_Something_to_Figure?id=Bfvtt4ln3a2ds5zxdweehdoowfe\">Google Play</a>\r\n<br>Released by Discrete Pageantry Records</p>\r\n<p><a href=\"https://hallelujahthehills.bandcamp.com/album/a-band-is-something-to-figure-out\">180-gram vinyl</a> from Re-Vinyl Records available on Bandcamp.</p>",
"credits": "<p>Recorded November 2015 at 1809 Studios, Macedon, NY<br /> <a href=\"http://1809studios.com\">1809studios.com</a></p>\r\n<p>Produced by HTH and Dave Drago<br /> Engineered and mixed by Dave Drago<br /> Studio Assistant: Jacob Walsh</p>\r\n<p>Mastered by Jake Rodenhouse<br /> <a href=\"http://www.perfectsoundstudios.com/\">perfectsoundstudios.com</a></p>\r\n<p>Ryan Connelly – Drums<br /> Joseph Marrett – Guitar<br /> Brian Rutledge – Synthesizer<br /> Ryan H. Walsh – Guitar, Vocals<br /> Nicholas Giadone Ward – Bass, Piano</p>\r\n<p>Oh, YOU KNOW everyone sang, including Dave Drago + Jacob Walsh</p>\r\n<p>© 2016 Reverse The Tape Decks ASCAP</p>",
"priority": null
}
},
{
"model": "music.release",
"pk": 13,
"fields": {
"publish": true,
"publish_on": "2016-07-04T16:02:16Z",
"title": "Movement Scorekeepers",
"slug": "movement-scorekeepers",
"date": "2016-07-08",
"cover_url": "http://hallelujahthehills.com/files/artwork/movement_scorekeepers_cover.jpg",
"player_code": "<iframe width=\"100%\" height=\"150\" scrolling=\"no\" frameborder=\"no\" src=\"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/260734404&color=000000&auto_play=false&hide_related=true&show_comments=false&show_user=false&show_reposts=false&show_playcount=false&show_artwork=false\"></iframe>",
"description": "<p>A lo-fi companion to <cite>A Band Is Something To Figure Out</cite>.\r\n<br><a href=\"http://www.jealousbutcher.com/products/movement-scorekeepers-ep\">Limited-edition, blue vinyl 7\"</a> from Jealous Butcher Records</a>.</p>",
"credits": "",
"priority": null
}
},
{
"model": "music.release",
"pk": 14,
"fields": {
"publish": true,
"publish_on": "2018-11-11T22:59:42Z",
"title": "Against Electricity",
"slug": "against-electricity",
"date": "2018-11-13",
"cover_url": "https://www.hallelujahthehills.com/files/artwork/against_electricity_cover.jpg",
"player_code": "<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2224209561/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=none/transparent=true/\" seamless><a href=\"http://hallelujahthehills.bandcamp.com/album/against-electricity-2018\">Against Electricity (2018) by Hallelujah The Hills</a></iframe>",
"description": "<p>An instrumental album originally created as the soundtrack for the book <a href=\"https://www.amazon.com/Astral-Weeks-Secret-History-1968/dp/0735221340\">Astral Weeks: A Secret History of 1968</a>.</p>\r\n\r\n<p>Available on <a href=\"https://hallelujahthehills.bandcamp.com/album/against-electricity\">Bandcamp</a>.\r\n<br><a href=\"https://www.jealousbutcher.com/products/against-electricity\">Limited-edition vinyl</a> available from Jealous Butcher Records</a>.\r\n</p>",
"credits": "<p>Music by Hallelujah The Hills: Ryan Connelly, Dave Curry, Joseph Marrett, Brian Rutledge, Nicholas Ward, Ryan H. Walsh.</p>\r\n\r\n<p>With special guests: Dana Colley, Tanya Donelly, Josh Kantor, Marissa Nadler, and Evan Sicuranza.</p>\r\n\r\n<p>Engineered, mixed, and mastered by Seth Manchester at Machines with Magnets, Pawtucket RI.</p>\r\n\r\n<p>\u00a9 2018 Reverse The Tape Decks ASCAP</p>",
"priority": null
}
},
{
"model": "music.release",
"pk": 15,
"fields": {
"publish": true,
"publish_on": "2019-10-03T11:37:21Z",
"title": "I\u2019m You",
"slug": "im-you",
"date": "2019-11-15",
"cover_url": "http://hallelujahthehills.com/files/artwork/im_you_cover.jpg",
"player_code": "<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https://bandcamp.com/EmbeddedPlayer/album=2247674964/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=none/transparent=true/\" seamless><a href=\"http://hallelujahthehills.bandcamp.com/album/im-you-out-fall-2019\">I'm You by Hallelujah The Hills</a></iframe>",
"description": "<p>\r\nAvailable on:\r\n<a href=\"https://hallelujahthehills.bandcamp.com/album/im-you\">Bandcamp</a>,\r\n<a href=\"https://open.spotify.com/album/0oZGsj8kV57dn6ELB35eDi\">Spotify</a>,\r\n<a href=\"https://music.apple.com/us/album/im-you/1483660892\">Apple</a>,\r\n<a href=\"https://play.google.com/store/music/album?id=Bbj7trumkkrog2s2eduvyqq3ene\">Google</a>,\r\n<a href=\"https://www.amazon.com/gp/product/B07Z5G42CD\">Amazon</a>\r\n<br />Released by Discrete Pageantry Records.\r\n</p>\r\n\r\n<p>\r\n<strong>Release show</strong>:\r\n12/19/2019, Great Scott, Allston, MA\r\n<br /><a href=\"https://www.axs.com/events/384554/hallelujah-the-hills-tickets\">Tickets</a>\r\n</p>\r\n\r\n<!--\r\n<p>\r\n<strong>Single</strong>: \u201cIt Still Floors Me\u201d\r\n<br />\r\n<a href=\"https://hallelujahthehills.bandcamp.com/track/it-still-floors-me\">Bandcamp</a>,\r\n<a href=\"https://soundcloud.com/hallelujahthehills/07-it-still-floors-me-final-hi/s-BVuQC\">SoundCloud</a>,\r\n<a href=\"https://open.spotify.com/track/6Kn8h3hIWqEMTFKPjcnwP9\">Spotify</a>,\r\n<a href=\"https://music.apple.com/us/album/it-still-floors-me-single/1484722491\">Apple Music</a>\r\n<a href=\"https://play.google.com/music/listen#/album/Bewbqwm6kkmf66vqrgb7nqy5u7q\">Google Play</a>\r\n</p>\r\n\r\n<p>\r\n<strong>Single</strong>: \u201cRunning Hot with Fate\u201d\r\n<br />\r\n<a href=\"https://hallelujahthehills.bandcamp.com/track/running-hot-with-fate\">Bandcamp</a>,\r\n<a href=\"https://soundcloud.com/hallelujahthehills/03-running-hot-with-fate-final\">SoundCloud</a>,\r\n<a href=\"https://open.spotify.com/album/1SNvFanGC9Ui6Ifz8b3jfp\">Spotify</a>,\r\n<a href=\"https://music.apple.com/us/album/running-hot-with-fate-single/1482385858\">Apple Music</a>,\r\n<a href=\"https://play.google.com/music/listen#/album/Bkwsi4ocqivrsbvlsmvpoxj4cwa/\">Google Play</a>\r\n</p>\r\n\r\n<p>\r\n<strong>Single</strong>: \u201cFolk Music is Insane\u201d\r\n<br />\r\n<a href=\"https://hallelujahthehills.bandcamp.com/track/folk-music-is-insane\">Bandcamp</a>,\r\n<a href=\"https://soundcloud.com/hallelujahthehills/02-folk-music-is-insane-final/s-Iccwt\">SoundCloud</a>,\r\n<a href=\"https://open.spotify.com/track/5XiINjXioWNaWRMxBDj9o6?si=QzCpxammSVmUNWJv97-pXQ\">Spotify</a>,\r\n<a href=\"https://music.apple.com/us/album/folk-music-is-insane-single/1480886309\">Apple Music</a>,\r\n<a href=\"https://play.google.com/music/m/Bivutnboql33fhvx5hgpm5alfva?t=Folk_Music_Is_Insane_-_Hallelujah_the_Hills\">Google Play</a>\r\n</p>\r\n-->",
"credits": "<p>\r\n Recorded at Machines with Magnets, Pawtucket RI<br />\r\n Produced by Seth Manchester and Hallelujah The Hills<br />\r\n Mixed by Seth Manchester<br />\r\n Mastered by Greg Calbi, Sterling Sound\r\n</p>\r\n<p>\r\n The band:<br />\r\n Brian Rutledge<br />\r\n David Michael Curry<br />\r\n Joseph Marrett<br />\r\n Nicholas Ward<br />\r\n Ryan Connelly<br />\r\n Ryan H. Walsh\r\n</p>\r\n \r\n<p>\r\n Special guests:<br />\r\n John Payne (flute and soprano sax on \u201cIt Still Floors Me\u201d)<br />\r\n Tyler Derryberry (theremin on \u201cFolk Music Is Insane\u201d and \u201cPeople Keep Dying\u201d)\r\n</p>\r\n<p>\r\n All songs written by Ryan H. Walsh<br />\r\n except \u201cBorn to Blow It\u201d written by Ryan H. Walsh and Marissa Nadler<br />\r\n All songs arranged by Hallelujah The Hills\r\n</p>\r\n<p>Copyright ©2019 Reverse The Tape Decks ASCAP</p>",
"priority": null
}
},
{
"model": "music.song",
"pk": 1,
"fields": {
"publish": true,
"publish_on": "2007-06-01T00:00:00Z",
"title": "Sleeper Agent (Just Waking Up)",
"slug": "sleeper-agent",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2007 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>a test train rolls through at three in the morning<br />\nthere are no passengers or stops<br />\nmy interest level rises and then it drops</p>\n\n<p>my life laid out in dictionary format<br />\nI've got a lot of entries under the M's<br />\nand they say that Z is not the end</p>\n\n<p>let's all plug in to the telepathic disco<br />\nhard up for hand me downs no more<br />\nand the Koinos Kosmos gets us through the door</p>\n\n<p>but the rag in the bottle doesn't understand<br />\nthat the well has a bottom in the other land<br />\nbrace yourself for some foreign affairs</p>\n\n<p>you could chalk it up but you haven't got a blackboard<br />\nyou could shrug it off but your shoulder's broke<br />\nyou could laugh it off but it isn't a joke</p>\n\n<p>and the funeral reminded me to call you<br />\nand leave the coordinates for the Bayou<br />\nI'm a sleeper agent just waking up</p>\n\n<p>I should have worn a disguise<br />\nyou should've looked more surprised<br />\nyou've got me cornered<br />\nin color coordinated lake shore drives<br />\nramparts and car parts in an enemy hive<br />\nit's intelligence that doesn't come from the mind<br />\nbut I've got yours on mine</p>\n\n<p>good morning comrade this is good coffee<br />\nlet's take a walk and peruse the reports<br />\nthis will look a lot worse than it'll hurt</p>",
"release": 1,
"track": 1
}
},
{
"model": "music.song",
"pk": 2,
"fields": {
"publish": true,
"publish_on": "2007-06-01T00:00:00Z",
"title": "Wave Backwards To Massachusetts",
"slug": "wave-backwards",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2007 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>a blizzard<br />\na mallard<br />\na stillborn Chinese baby speaking backwards<br />\nmy peephole<br />\nin the cabin<br />\nkeep an eye on loggers preparing for battle<br />\nand textbooks glow like they know where we're going<br />\nbut it's just a guess they planted in the pages<br />\nand flags unfurl like they know why we're sewing<br />\na certain kind of stars into the fabric</p>\n\n<p>can't keep topping my count's bestsellers<br />\npieced together in damp dark cellars<br />\nflipped out fury<br />\nit's a wigged out wish<br />\nso creep creep crawl your way into the heartland<br />\nwhen the clocks explode<br />\nwe'll sing a crooked path back to our home</p>\n\n<p>there is no context for this progress<br />\na village epidemic reaches congress<br />\nan idea or a light bulb<br />\nsmashed on concrete outside of the nightclub<br />\na cat with a windchime skeleton<br />\nbut it's not like he's in charge of city planning<br />\ngreet the deep sea diver as he dives within<br />\nhe hides secrets behind all of the paneling</p>\n\n<p>we will find him before<br />\nthe party resumes<br />\ntreating cape houses like Egyptian tombs<br />\ntricked out tremors in my nervous system<br />\ndon't sink sink sink sink sink into the pavement<br />\nwhen the clocks explode<br />\nwe'll sing a crooked path back to our home</p>\n\n<p>wave backwards to Massachusetts<br />\nwe'll sing a crooked path back to our home</p>",
"release": 1,
"track": 2
}
},
{
"model": "music.song",
"pk": 3,
"fields": {
"publish": true,
"publish_on": "2007-06-01T00:00:00Z",
"title": "Hallelujah The Hills",
"slug": "fight-song",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2007 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>trouble comes, the mail arrives<br />\nI pick apart a broken watch<br />\nI'm on call with astronauts<br />\nhere's an acrobatic lot<br />\nTelemundo is for free<br />\nbut not something that you could see<br />\neverybody falls asleep when oxygen dies</p>\n\n<p>hundred horses, hundred wines<br />\nthat's a secret, that's a lie<br />\nhere's a planetoid connection<br />\nthat they caught and tried to hide<br />\nparanoid's a boring game<br />\njealousy is just the same<br />\nhit me with the hammer when the light turns green</p>\n\n<p>plaintiff's here, jury's gone<br />\ndown at the Dairy Mart<br />\nabsolutely no exception<br />\nspecially for you<br />\nmade inventions, broke conventions<br />\nraised a glass to new pretensions<br />\nmeta-meta-meta-and the novel is dead</p>\n\n<p>no more talk of mathmagicians<br />\nnumbers can't be ever tricked<br />\nI propose a superstition<br />\nalways mumbling, never sick<br />\na way to increase your sales<br />\nnever question, never fail<br />\nI was born in Vermont<br />\nshe was born in Vermont<br />\nand we'll all die in Vermont hallelujah the hills</p>",
"release": 1,
"track": 3
}
},
{
"model": "music.song",
"pk": 4,
"fields": {
"publish": true,
"publish_on": "2007-06-01T00:00:00Z",
"title": "The House Is All Lit Up",
"slug": "house",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2007 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>I prepared a tin hour glass<br />\nsimple instructions<br />\nfor a man with lion's breath<br />\nmy feelings are pre-determined tonight</p>\n\n<p>a man so often the best man<br />\nhe fired a gun<br />\nthat shot wedding rings on the fingers<br />\nof his best friends<br />\nof his family<br />\nof his enemies</p>\n\n<p>the house is all lit up<br />\nall lit up<br />\nall lit up<br />\nthe house is all lit up<br />\nall lit up<br />\nall lit up<br />\nall lit up tonight</p>\n\n<p>are you afraid<br />\nof the unguided mind,<br />\nof free association?<br />\nnonsequitors built this nation<br />\nplease understand<br />\nor better yet please take my hand<br />\nand look at the shape I'm in<br />\nI've been drinking the gin<br />\nwe found in Evan's mom's basement<br />\nmy excuses<br />\nare so useless<br />\nand then the choir sings</p>\n\n<p>the house is all lit up<br />\nall lit up<br />\nall lit up<br />\nthe house is all lit up<br />\nall lit up<br />\nall lit up<br />\nall lit up tonight</p>\n\n<p>and I am the filibuster it's true<br />\nI'm gonna keep on waiting for you<br />\nand I am the filibuster it's true<br />\nI'm gonna keep on speaking through you<br />\nand I am the filibuster it's true<br />\nI'm gonna keep on waiting for you<br />\nand I am the filibuster it's true<br />\nI'm gonna keep on, keep on</p>\n\n<p>The house is all lit up<br />\nall lit up<br />\nall lit up<br />\nall lit up tonight</p>",
"release": 1,
"track": 4
}
},
{
"model": "music.song",
"pk": 5,
"fields": {
"publish": true,
"publish_on": "2007-06-01T00:00:00Z",
"title": "Raise The Flag Of Your Sibling's Favorite Daydream",
"slug": "raise-the-flag",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2007 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>hallow down the hall<br />\nhave you written?<br />\nI was gone<br />\nwake up my souvenirs<br />\nadd three and two I spotted you<br />\nbut who could stand to follow through?</p>\n\n<p>raise the flag<br />\nraise the flag<br />\nraise the flag<br />\nof your sibling's favorite daydream</p>\n\n<p>stupefied again<br />\nin the autumn of our father's den<br />\nI came to with a canker<br />\ndrinking from the faucet<br />\ntrying to save some water and a friend<br />\nI knew he'd operate</p>\n\n<p>raise the flag<br />\nraise the flag<br />\nraise the flag<br />\nof your sibling's favorite daydream</p>\n\n<p>I'll shine the light<br />\nthough it's not flattering<br />\non your wishes as they are<br />\ntelephone mom, she should be next to me<br />\nnotify dad, it's common decency</p>\n\n<p>then wash the dishes while your secrets leave home<br />\ncall the news tell 'em to leave us alone<br />\nwe all fit on this embarrassing throne<br />\nbut anyway<br />\nlisten for the sound of subtle atrophy<br />\nwhile he's tethered to a broken phonograph</p>\n\n<p>back in school again<br />\nyou didn't think I'd abandon you my friend<br />\nhere comes a silver bullet<br />\nto skim the leaves of poplar leaves<br />\nand blessed be the minor keys<br />\nI'm so in love with you</p>\n\n<p>raise the flag<br />\nraise the flag<br />\nraise the flag<br />\nof your sibling's favorite daydream</p>",
"release": 1,
"track": 5
}
},
{
"model": "music.song",
"pk": 6,
"fields": {
"publish": true,
"publish_on": "2007-06-01T00:00:00Z",
"title": "(crux of the camera man)",
"slug": "crux",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2007 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "",
"release": 1,
"track": 6
}
},
{
"model": "music.song",
"pk": 7,
"fields": {
"publish": true,
"publish_on": "2007-06-01T00:00:00Z",
"title": "Slow Motion Records Broken At Break Neck Speeds",
"slug": "slow-motion-records",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2007 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>here's the crux of the cameraman<br />\nburied deep in his master plan<br />\nhere's a format becoming defunct<br />\na bunch of tapes on a ship that sunk<br />\nelectric outlet in a public place<br />\nso new rappers get to show their face<br />\nif you're human and you're feeling displaced<br />\nwe've got news for you it's the kind<br />\nthat makes you shake in your boots<br />\nand crumble down to the floor</p>\n\n<p>Tommy Beta with his life on pause<br />\nhis college thesis stored in his parents garage<br />\nare you into the olive branch? (are you, Tommy?)<br />\nor shooting arrows in an American trance<br />\nlist your prescriptions on your resume<br />\nand polish bullets saved for our prey<br />\nadd sinking feelings and we'll call it a day<br />\nI wear a mask to sleep and it's old and it's made<br />\nof clay and I have no idea why I do that</p>\n\n<p>if you're guilty of some heinous crime<br />\nI'll write your defense down in metered rhyme<br />\nwe'll make believe we got it right this time<br />\nI've got news for you and me and him and her and us<br />\nand everything's crumbling and rotting away<br />\nbut I'm content to sit here and watch it all happen<br />\nwith you</p>",
"release": 1,
"track": 7
}
},
{
"model": "music.song",
"pk": 8,
"fields": {
"publish": true,
"publish_on": "2007-06-01T00:00:00Z",
"title": "Effie's On The Other Side",
"slug": "effie",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2007 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>we're stealing bodies<br />\nso the doctors can study<br />\nand improve their technique<br />\nthey operate next week<br />\non the girl who's embarrassed<br />\nthat she melted the chalice<br />\nwith a thought thrown through the air<br />\nbut she's only half of a pair</p>\n\n<p>cuz Effie's on the other side<br />\nshe's laughing and sculpting and washing the filth<br />\noff of the devil's hide</p>\n\n<p>we're replacing their bones<br />\nwith pipes, sticks, and stones<br />\nso the grievers don't notice<br />\nthat their loved ones helped us grow this<br />\ntranslucent creature being housed<br />\nby the doubting preacher<br />\nreciting the scripture<br />\nwhile the creature paints this picture</p>\n\n<p>of Effie on the other side<br />\nshe's laughing and sculpting and washing the filth<br />\noff of the devil's hide</p>",
"release": 1,
"track": 8
}
},
{
"model": "music.song",
"pk": 9,
"fields": {
"publish": true,
"publish_on": "2007-06-01T00:00:00Z",
"title": "The Trap",
"slug": "trap",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2007 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>the trap can't trap you<br />\nif you take it to pieces<br />\nstop thinking you're somebody else<br />\nstop crying and go get some help<br />\nstop trying to solve it your self<br />\nand you know what else?</p>\n\n<p>her misfortunes fell upon her<br />\ncall and response<br />\ngood morning alchemy<br />\nstart strumming my super strings<br />\nit's a wilderness of mirrors and kings<br />\nbespectacled devil with wings</p>\n\n<p>it's hard to imagine<br />\nanything more terrifying<br />\nthan dying in someone else's dream<br />\nwaking up in a coffin of trees<br />\nand your soul getting hauled off by bees<br />\nand if you think that's too much to believe</p>\n\n<p>a munitions expert<br />\nwhile disarming a bomb<br />\nrealizes he left the stove on at home<br />\nhe imagines his house up in smoke<br />\nwhile he renders explosives a joke</p>\n\n<p>I'm a planet, I'm the moon<br />\nI'm barely in this room<br />\nwon't somebody please shake me awake?<br />\nput me in the front yard with a rake<br />\nit's the simplest of tasks I can take<br />\nif I don't want to break<br />\nand I don't want to break</p>\n\n<p>the playwright has stage fright<br />\nthe doctor is sick<br />\nthe electrician struck down by lightning<br />\nburning candles from more than two ends<br />\nis that me? I guess it depends<br />\nhell, go ask my friends</p>\n\n<p>I'm a planet, I'm the moon<br />\nI'm barely in this room<br />\nwon't somebody please shake me awake</p>",
"release": 1,
"track": 9
}
},
{
"model": "music.song",
"pk": 10,
"fields": {
"publish": true,
"publish_on": "2007-06-01T00:00:00Z",
"title": "Teenage Synesthete",
"slug": "teenage-synesthete",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2007 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>I was born<br />\na teenage synesthete<br />\nfeeling colors, hearing tastes<br />\nand catching my breath<br />\nI saw a hawk out by the high school<br />\nfly into your brain<br />\nI wrote it down<br />\nbut I won't tell no one<br />\nfrom that I'll refrain</p>\n\n<p>and everything will probably be alright<br />\ncollective psychosis begone<br />\nand everything will probably be okay<br />\ncollective psychosis begone</p>",
"release": 1,
"track": 10
}
},
{
"model": "music.song",
"pk": 11,
"fields": {
"publish": true,
"publish_on": "2007-06-01T00:00:00Z",
"title": "It's All Been Downhill Since The Talkies Started To Sing",
"slug": "talkies",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2007 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>I break things by walking by<br />\nI accidentally hypnotize<br />\nevery single motherfucker<br />\nlocked inside the Newton branch<br />\nworst bank robber known to man<br />\nrob the bank, that was my plan<br />\ndidn't even check to see<br />\nwhere the cameras were at<br />\nbut I always get away<br />\nas if I planned it that way<br />\nthere must be something radiating from me<br />\nand my actions make the money move<br />\nthough my sounds can't really soothe<br />\nit's all been downhill since the talkies started to sing</p>\n\n<p>My grandma was a silent star<br />\nno words emerged from her famous jaw<br />\nat pre-code party<br />\nshe brought a pile of printed cards<br />\nshe's rather hold them up then speak<br />\nshe feared her voice would crack her teeth<br />\nand everybody knows<br />\njust what cracking teeth symbolize<br />\nbut she loved the silver screen<br />\nand her face in magazines<br />\nwhen she lost her fame<br />\nshe ran off with a financial analyst<br />\nbut her movements made the movies move<br />\nthough her voice couldn't really soothe<br />\nit's all been downhill since the talkies started to sing</p>\n\n<p>odd behavior of poltergeists<br />\ninsurance salesman killed by knife<br />\neverything is game<br />\nnow that intertitles have bit the dust<br />\nthe studio system's come and gone<br />\nthe golden age has turned to bronze<br />\nif I could call cut<br />\nI'd leave those poor bankers alone<br />\nbecause the logic found in words<br />\nquickly becomes absurd<br />\nas soon as a light bulb shines<br />\nthrough a celluloid strip<br />\nand to equate the two is wrong<br />\nbut I do it all night long<br />\nit's all been downhill since the talkies started to sing<br />\n(and then they started singing!)</p>",
"release": 1,
"track": 11
}
},
{
"model": "music.song",
"pk": 12,
"fields": {
"publish": true,
"publish_on": "2007-06-01T00:00:00Z",
"title": "To All My Scientist Colleagues I Bid You Farewell",
"slug": "scientist-colleagues",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2007 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>to all my scientist colleagues I bid you farewell<br />\nit's been a long career<br />\nof splitting open atoms with government funds<br />\nI'll never forget transplanting retinas<br />\nand federal agendas that we scorned<br />\ndear like minded friends<br />\nnever forget what you've learned</p>\n\n<p>they've taken my microscope<br />\nand my radiation lab pass<br />\nI've packed up my pictures<br />\nof my dear wife my siblings<br />\nand my scientist dad<br />\nI'm planning to open a newspaper stand<br />\nwith a shoe shine chair just for a laugh<br />\nwhile I'm selling the present<br />\nmy mind will drift back to the past</p>\n\n<p>to all my scientist colleagues I bid you farewell<br />\nsome of us are religious<br />\nbut most of us think we're just bones, flesh, and cells<br />\nI'll guess we'll find out<br />\nwhen our hearts stop ticking<br />\nand our brains stop working so well<br />\ncan't say I'm looking forward<br />\nto being the first one to tell<br />\nto my scientist colleagues<br />\nI bid you farewell</p>\n\n<p>to all my<br />\nto all my<br />\nto all my</p>",
"release": 1,
"track": 13
}
},
{
"model": "music.song",
"pk": 13,
"fields": {
"publish": true,
"publish_on": "2008-04-08T00:00:00Z",
"title": "Nurses 5 Float Past",
"slug": "nurses-5-float-past",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2008 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>it's the memory you let go<br /> not the stimuli of the ghost<br /> injecting opera, in the corridor<br /> of the queen's latest estate</p>\n<p>and so you slip on past the bazaar<br /> troubles d.o.a. thus far<br /> “I'm not so criminal<br /> in a cathedral”<br /> you remark as the blimps fade away</p>\n<p>“is this an epilogue?” doc asks<br /> while the nurses 5 float past<br /> “we'd like to regulate<br /> but not aggravate<br /> and bring this dance to a close”</p>\n<p>and while you sit and think about that<br /> something invisible falls flat<br /> and we'll not know today<br /> what it had to say<br /> but I'm sure it'll be back</p>",
"release": 9,
"track": 7
}
},
{
"model": "music.song",
"pk": 14,
"fields": {
"publish": true,
"publish_on": "2008-04-08T00:00:00Z",
"title": "Don't Take The Law Into Your Own Hands But Take Mine In Yours",
"slug": "dont-take-the-law",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2008 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>a bell for the brave Armenian waitress<br /> outsourced to the heavies in the Texas sway<br /> something drifts across the soul of September soil<br /> I used to strip there but now I solemnly swear</p>\n<p>I'm the one to disintegrate into your dreamscape<br /> pushed into patchwork<br /> with a mask with eyes cut to keyholes<br /> believe me I'm trying</p>\n<p>I remember the day machine wept into lakes<br /> and poets made a plea on live TV<br /> a semicolon inked on the governor's wrist<br /> we all claimed we shared but it's worse than we feared</p>\n<p>I'm the one to camp out under the flagpole<br /> coiled up and dumb<br /> trashing the haunted mansion<br /> pushed into patchwork<br /> to disintegrate into your dreamscape<br /> with a mask with eyes cut to keyholes<br /> believe she's lying</p>",
"release": 9,
"track": 8
}
},
{
"model": "music.song",
"pk": 15,
"fields": {
"publish": true,
"publish_on": "2008-04-08T00:00:00Z",
"title": "Let It Wave",
"slug": "let-it-wave",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2007 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>when you come again<br /> tryst in the treetop<br /> 8 excuses for the mother hen<br /> I tripped in the hall<br /> it was a miracle stall<br /> bought us time and we<br /> filtered out the feelings again</p>\n<p>we schemed at the built in bar<br /> townie authority screaming we shouldn't go far<br /> I copied the key<br /> the way I mimic disease<br /> leaving the locksmith hungry,<br /> debating on his hands and his knees</p>\n<p>bankrupt birdhouse the crow got the word out<br /> we've seen this all before<br /> and I am slouching a grown man crouching<br /> thirty armed men at the door</p>\n<p>the truth and the tooth came out<br /> one in the paper and the other inside of his mouth<br /> he left with a limp and a cut on his lip<br /> hid the morning paper and never told his wife or his kids</p>\n<p>now we're on our own<br /> cutting coupons 10 dollars off<br /> a crown and a thrown<br /> discount royalty<br /> high horse novelties<br /> we'll pay full price cuz it's better<br /> than being alone</p>\n<p>let it wave<br /> oh let it wave<br /> let it wave<br /> oh let it wave</p>",
"release": 9,
"track": 9
}
},
{
"model": "music.song",
"pk": 16,
"fields": {
"publish": true,
"publish_on": "2008-04-08T00:00:00Z",
"title": "Cataloging Candy's Demise",
"slug": "cataloging-candys-demise",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2008 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>built by science “the dysphemic alliance”<br /> we're pumping iron down by the pier<br /> and we're trimming the fuses on these daily abuses<br /> there's nobody sober left to steer<br /> we went down with intentions to climb<br /> the eighty foot memorial pine<br /> hey who blew the roof off?<br /> c'mon get your boots on<br /> we're cataloging Candy's demise</p>\n<p>the concierge signals it seems we have a single<br /> are you decent with a map and a flask?<br /> I found my room and then hallucinated you<br /> it's so useless if you have to ask<br /> where I got this punch in the mouth<br /> he tells the joke about the pole in the south<br /> we were perfect and passed out when she<br /> finally got her shout out<br /> we're cataloging candy's demise</p>\n<p>asleep at the spiel we tried so hard to feel<br /> until amnesia caught us unawares<br /> we were pulling from a pill box<br /> when we ran into the Statie<br /> and he brought us all in on a whim<br /> fingerprinted but not afraid<br /> we told the guys we were back from the grave<br /> every moment in my life<br /> is crawling back tonight<br /> cataloging candy's demise</p>\n<p>sawed off sneakers<br /> my lifeblood in a beaker<br /> it's so groovy when you use ESP<br /> but frankly Rudy your brother's out of juvie<br /> so you gotta go buy him some weed<br /> we were absolutely upside down<br /> when candy's sister rolled back into town<br /> c'mon with the sportscoat<br /> polish up the row boat<br /> we're cataloging candy's demise<br /> hey who blew the roof off?<br /> c'mon get your boots on<br /> we're cataloging candy's demise<br /> we were perfect and passed out when she<br /> finally got her shout out<br /> we're cataloging candy's demise</p>",
"release": 9,
"track": 17
}
},
{
"model": "music.song",
"pk": 17,
"fields": {
"publish": true,
"publish_on": "2008-04-08T00:00:00Z",
"title": "When Night Falls",
"slug": "when-night-falls",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2008 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>outside nature beats the tar out of nature<br /> an intelligent disease inside a healthy plant<br /> I heard you were one of those homewrecking truckers, well ain't ya?<br /> “18 wheels of terror”: the driver's union chant<br /> turn it up on the vamp</p>\n<p>when night falls<br /> who picks it up?<br /> who picks it up?<br /> who picks it up?</p>\n<p>stitched on the inside of his jacket is a note for the doctor:<br /> “send my remains to a stranger picked out of a hat”<br /> he's adept at piano but he never claimed to have rocked her<br /> then the band took a break and went to get high in the back<br /> but it's enough if we ask</p>\n<p>when night falls<br /> who picks it up?<br /> who picks it up?<br /> who picks it up?</p>\n<p>a hand comes down and turns the airplane around<br /> an alarm clock sounds and shakes the unconscious down<br /> and then the playground hounds sniff out every drug in town<br /> on a Friday night<br /> in the middle of the month<br /> in the preacher's house<br /> at the mayor's house<br /> in the policeman's car<br /> in the teacher's bag<br /> in the doctor's lab<br /> it's enough if we ask</p>\n<p>when night falls<br /> who picks it up?<br /> who picks it up?<br /> who picks it up?</p>",
"release": 9,
"track": 18
}
},
{
"model": "music.song",
"pk": 18,
"fields": {
"publish": true,
"publish_on": "2008-04-08T00:00:00Z",
"title": "Monster Eyes",
"slug": "monster-eyes",
"player_code": "",
"description": "",
"credits": "<p>Lyrics by Jonathan Lethem, music by Hallelujah The Hills</p>",
"lyrics": "<p>get you out of range<br /> of my monster eyes<br /> best thing I ever did for you<br /> was get you out of range<br /> of my monster eyes</p>\n<p>before my eyes destroy you<br /> you better run</p>",
"release": 9,
"track": 19
}
},
{
"model": "music.song",
"pk": 19,
"fields": {
"publish": true,
"publish_on": "2008-04-08T00:00:00Z",
"title": "(You Better Hope You) Die Before Me [Live January 2008]",
"slug": "die-before-me",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2008 Reverse The Tape Decks (ASCAP) <br />Recorded at the Middle East Upstairs, Cambridge, MA</p>",
"lyrics": "<p>the phone line is broken<br /> the tapes are all erased<br /> someone's at the door you know his wares have all been laced<br /> you better hope you die before me</p>\n<p>if you take it as a compliment<br /> you're out of your tree<br /> the horses all are ready<br /> and they know as well as me<br /> that you better hope you die before me</p>\n<p>everybody knows you climb a ladder so well<br /> impressive demonstrations of your speech and your spells<br /> but you better hope you die before me</p>\n<p>dress me up in wires<br /> I'll plug into the feed<br /> of blasted out basement shows<br /> bursting at the seams<br /> and you better hope you die before me</p>\n<p>the house is infested<br /> with pests of every kind<br /> but at least they had the courtesy<br /> to stay of my mind<br /> you're broken, alone, down, and undreamed</p>\n<p>so you can bang on every windchime<br /> or light a torch for me<br /> or magnify your tiny soul<br /> with a microscope from me<br /> but you better hope you die before me</p>",
"release": 9,
"track": 10
}
},
{
"model": "music.song",
"pk": 26,
"fields": {
"publish": true,
"publish_on": "2009-07-01T00:00:00Z",
"title": "A Guide To The World's Most Fantastic Monsters",
"slug": "guide-to-monsters",
"player_code": "",
"description": "",
"credits": "Written by Ryan Walsh, © 2009 Reverse The Tape Decks (ASCAP)",
"lyrics": "<p>the king rounded up all the insurgents<br /> listened closely to their gibberish<br /> for some sign of an omen or portent<br /> all night — all week</p>\r\n<p>soon he had collected all of their wisdom<br /> into a book he titled so<br /> A Guide To The World’s Most Fantastic Monsters<br /> and I read it searching for some new feeling but<br /> the monster that you run from doesn’t exist</p>",
"release": 3,
"track": 1
}
},
{
"model": "music.song",
"pk": 27,
"fields": {
"publish": true,
"publish_on": "2009-07-01T00:00:00Z",
"title": "The Might Come Back Club",
"slug": "might-come-back-club",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2009 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>collect your cobwebs<br /> saw off your antlers<br /> between blizzards we are free<br /> the front lawn’s hosting the strangest vine growth<br /> that will in time entangle all we see</p>\n<p>devastating news-hype hand delivered<br /> via secret hymns<br /> the might come back club’s<br /> rites of recall are etched out on the bones of these limbs</p>\n<p>open your kimono you hassle magnet<br /> let me see what all the kids are killing for<br /> consulting the Fates from far northern states<br /> with escape routes scrawled on their back doors</p>\n<p>fanatics follow the freedom of fandom<br /> hitting straw men with plastic swords<br /> rip up the floor boards<br /> find what you’ve come for<br /> you’re a guest they’ll begrudgingly endure</p>\n<p>I was in the kitchen with the grieving uncle<br /> and a drinking game that only he played<br /> so in tender spirits he went up on the rooftop<br /> to chant for the flying chariot brigade</p>\n<p>To our amazement<br /> out came the horses<br /> who’s commanding? hell if I know<br /> the might come back club’s rules of order<br /> tell us in this case we must row<br /> so start rowing</p>",
"release": 3,
"track": 2
}
},
{
"model": "music.song",
"pk": 28,
"fields": {
"publish": true,
"publish_on": "2009-07-01T00:00:00Z",
"title": "Put The Gurus In Charge",
"slug": "gurus",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2009 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>here we are where we thought we began<br /> lost and high and burnt out with no back up plan<br /> and it’s such a disgrace to leave all these kids weeping in the van</p>\n<p>so we’re traversing North Dakota<br /> using only cartoon commerce maps to navigate<br /> but there’s always an unlabeled tape<br /> lying in an unmarked box<br /> in an ill-kept archive<br /> and can you guess who that tape is keeping alive?</p>\n<p>the first thing to know is that you can never go back there<br /> the second thing to know is that I’m the one who sent you the dream<br /> in the basement of your house oh sunny Jean<br /> where you writhed and you coughed up and you screamed</p>\n<p>call the cops<br /> put the gurus in charge<br /> cuz here comes an instructing hand<br /> to place upon your lack of plans<br /> and lead you to the tapes in the garage<br /> can you guess which false prophet is still at large?</p>\n<p>you fell in love with the woman sent here to kill you<br /> and now you’ll kill the people that sent her to you<br /> she’s the sweetest assassin in the states<br /> has a tattoo of the motto of The Fates</p>\n<p>you were brought here by design and now you’ll live until you die<br /> you were brought here by design and now you’ll live until you die<br /> you were brought here by design but don’t take that as a sign<br /> you were brought here by design and now you’ll live until you die</p>\n<p>you’ll spend the next year always looking over your shoulder<br /> and combing through the paper for some elusive clue<br /> you press rewind, and then you press play, then you pause<br /> it’s time to hear what you thought you lost</p>",
"release": 3,
"track": 3
}
},
{
"model": "music.song",
"pk": 29,
"fields": {
"publish": true,
"publish_on": "2009-07-01T00:00:00Z",
"title": "Blank Passports",
"slug": "blank-passports",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2009 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>if he’s the singer then I’m okay<br /> let’s walk him out in awkward rain<br /> and shed the vials and catch the corpse<br /> it comes again through stain glass doors</p>\n<p>can it spread out? To the street?<br /> blank passports in the Pennsylvania heat<br /> well I’m the one who made you that way<br /> here it comes again unchained and unchanged</p>\n<p>but then serious American composers<br /> drift into the room<br /> the world had not heard of them<br /> said they arrived too soon</p>\n<p>now we’re making a mess of the mountain<br /> and trashing our rooms<br /> they call us heirs to the emptiness<br /> still we whistle their tune</p>\n<p>I heart the great lakes<br /> I shot the son<br /> I wore the blindfold<br /> I fled at dawn<br /> and caught the visions<br /> while they’re inert<br /> it dignifies your bold cohorts</p>\n<p>does it commute? the sentence steep?<br /> 22 years on the Massachusetts street<br /> well neither pill nor poison control<br /> can prop up a lifetime dig us out this hole</p>\n<p>but then serious American composers<br /> drift into the room<br /> the world had not heard of them<br /> said they arrived too soon</p>\n<p>now we’re making a mess of the mountain<br /> and trashing our rooms<br /> they call us heirs to the emptiness<br /> still we whistle their tune<br /> so you’re living like a classical code word<br /> spoken as one heard<br /> it uttered from the podium<br /> and brought down to herd<br /> and what you should have known in the beginning<br /> you won’t know till the end<br /> that the way to the exodus<br /> is back from where we came</p>",
"release": 3,
"track": 4
}
},
{
"model": "music.song",
"pk": 30,
"fields": {
"publish": true,
"publish_on": "2009-07-01T00:00:00Z",
"title": "Allied Lions",
"slug": "allied-lions",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2009 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>keys to the house<br /> a map of your room<br /> there’s nothing left to kill<br /> there’s nothing more than bring my body home</p>\n<p>deliberate sons brace for the storm<br /> redact the sinful word<br /> reduce the thought and bring your body home</p>\n<p>Allied Lions!<br /> Allied Lions!<br /> Allied Lions!<br /> everything’s a dream, except for this moment we’re in now</p>\n<p>let’s examine our pov’s<br /> that might keep us from doa<br /> to pulse out sos<br /> it’s not enough to count on tba</p>\n<p>turn a tanker on ten<br /> treat the girlfriend’s friends as friends<br /> reduce this patriot<br /> I can’t seem to keep my focus clean</p>\n<p>Allied Lions!<br /> Allied Lions!<br /> Allied Lions!<br /> everything’s a dream, except for this moment we’re in now</p>\n<p>keys to the house<br /> a map of your room<br /> there’s nothing left to kill<br /> there’s nothing more than bring my body home</p>\n<p>Allied Lions!<br /> Allied Lions!<br /> Allied Lions!<br /> everything’s a dream, except for this moment we’re in now</p>\n<p>you’ve got to know where you come from<br /> you’ve got to know where you’re going</p>",
"release": 3,
"track": 5
}
},
{
"model": "music.song",
"pk": 31,
"fields": {
"publish": true,
"publish_on": "2009-07-01T00:00:00Z",
"title": "Oxus Pagoda",
"slug": "oxus-pagoda",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2009 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>it’s true, the signal implodes<br /> it goes where she goes<br /> the cogs all march along in perfect single file<br /> from beyond the grave where dead men relay<br /> synchronistic poems that call for civil unrest</p>\n<p>and here are the plans that you tied into knots<br /> and here are the props that were everything but<br /> so dancing with statues you sweetened the plot<br /> and this I bring to you<br /> and this I bring through you</p>\n<p>for days we replayed the play<br /> on stage after stage<br /> but never could decide on an intended meaning<br /> the town was corrupt, demanded of us<br /> a semi private showing for the master’s daughter</p>\n<p>and here is the scene where I kill every god<br /> and bury them nameless in cemetery plots<br /> deliver the news to the public at large<br /> and this I bring to you<br /> and this I bring through you</p>\n<p>we walked up to wind chime mountain<br /> to bury our old postcards<br /> she said: “I need to tell you<br /> about the 322 people you meet in purgatory<br /> and how I got sick of all these guardian angels<br /> with more problems than me.”</p>\n<p>years before we lived in the hotel we both worked within<br /> where she attempted to write the great Canadian review<br /> of the great American novel<br /> a request from the 1st edition’s introduction:<br /> the playwright wishes that you harangue the actors<br /> with pyramid scheme pitches during the encore.<br /> also a real gun will be randomly fired into the audience<br /> during intermission.<br /> please enjoy.</p>\n<p>the curtain came down and the crowd rushed the stage<br /> we fled towards the airport through gunsmoke and haze<br /> our passports revoked, the embassy razed<br /> and this they brought to me, and this they brought through me</p>",
"release": 3,
"track": 6
}
},
{
"model": "music.song",
"pk": 32,
"fields": {
"publish": true,
"publish_on": "2009-07-01T00:00:00Z",
"title": "Variations On The Grand National Championships",
"slug": "grand-national-championships",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2009 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>I can see you in my telescope<br /> that punctures time like a needle through paper<br /> you’re washing dishes during the civil war<br /> as your husband’s stabbing your dad<br /> they never met so it’s not even realized<br /> how heavy truly the moment<br /> and in the present in a shopping line<br /> my sugar refuses to scan</p>\n<p>oh, the time has come<br /> to crash right through the gates of ivory towers<br /> we must find a way<br /> to topple all the thrones</p>\n<p>you were right this light it comes from the night<br /> and takes the shame out of being so latent<br /> everything that’s been scheduled for you<br /> you call random and sleep through the days<br /> so you invest in every angle and hinge<br /> hoping there’s something to swing from or hide in<br /> but now there’s nothing but a precipice<br /> and an old song to sing through the night</p>\n<p>oh, the time has come<br /> to crash right through the gates of ivory towers<br /> we must find a way<br /> to topple all the thrones</p>\n<p>oh the time has come!<br /> oh the time has come!</p>\n<p>can we quake these tectonic plates?<br /> would it shake the street that you live on?<br /> portraits tumble to the hardwood floor<br /> leaving dents and impressions of me</p>\n<p>I fall asleep on an empty highway<br /> as my truck crashes into the woodlands<br /> my feet are caught but I reach the flare gun<br /> shoot it off but it’s the 4th of July</p>",
"release": 3,
"track": 7
}
},
{
"model": "music.song",
"pk": 33,
"fields": {
"publish": true,
"publish_on": "2009-07-01T00:00:00Z",
"title": "Station",
"slug": "station",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2009 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>the subpoenas always came in unmarked cruisers<br /> the fonts were bold and told us what to do<br /> the schematics we stole were impossible to decipher<br /> so let’s go downtown and see this whole thing through</p>\n<p>I would feel much better if this day had narration<br /> as we’re living out some archetype clean and blue<br /> there are moments here that don’t come from this station<br /> there are lifetimes here repeated ‘til they’re true</p>",
"release": 3,
"track": 8
}
},
{
"model": "music.song",
"pk": 34,
"fields": {
"publish": true,
"publish_on": "2009-07-01T00:00:00Z",
"title": "The Echo Sequence",
"slug": "echo-sequence",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2009 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>casually break my fingers so I can’t work the key<br /> the master painters all look ashamed<br /> they don’t know the thrill of a jukebox fade<br /> church bells ringing out commercials for Jesus<br /> the future ex-girlfriends all promise to leave us</p>\n<p>I dreamt of this well<br /> bringing you back to live in burnt out motels<br /> it’s my junk mail dream to turn this car around<br /> and drive back down to where my body was found<br /> they say I was focused on slowing down time<br /> hands inside the clock when I was hit from behind</p>\n<p>there’s a possibility<br /> this predictability<br /> will eventually grow wild and bend<br /> then I’ll know<br /> I never meant to meet you<br /> but that’s what the sequence puts you through</p>\n<p>curse this mind control<br /> making me leak these ideas so very slow<br /> I’m an excerpt of an abridged serial<br /> you never had a job so menial<br /> to keep track of track of distractions that impede my path<br /> and pinpoint their origin and slice them in half</p>\n<p>but there’s a possibility<br /> this predictability<br /> will eventually grow wild and bend<br /> for better or worse<br /> I never called the cab a hearse<br /> I answered questions with a pause<br /> and tried to break what you defend<br /> but ended up drifting far from shore<br /> washed up in some foreign land<br /> and tried to find a way back home<br /> but when I did you shrugged and said<br /> here’s where the echo sequence ends</p>",
"release": 3,
"track": 9
}
},
{
"model": "music.song",
"pk": 35,
"fields": {
"publish": true,
"publish_on": "2009-09-09T00:00:00Z",
"title": "Classic Tapes",
"slug": "classic-tapes",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2009 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>oh we crashed in the ash<br /> and then the cash of the titans blew out to sea<br /> but you, you broke out the map<br /> lead us out of the country<br /> through the haunted hallway</p>\n<p>I strayed during the ticker tape parade<br /> you were gathering blank tape<br /> for the never ceasing project of the documentarian</p>\n<p>my dear, I could drift into backyards<br /> during nights of no moonlight<br /> and never reappear<br /> you know that something<br /> would grab a hold of me slowly<br /> make love to me only<br /> and pull me deep underground</p>\n<p>forever is incomprehensible<br /> but still attainable<br /> with a little luck, a lawyer, and a fine tuned radio</p>\n<p>the stop light changes but nothing else does<br /> it kept me waiting just because<br /> so delete all your dead friends from you cell phone<br /> it keeps you inside that certain zone: home<br /> Om Gam Ganapataye Namaha</p>\n<p>I feel it / I feel it / I feel it / I feel it<br /> a devil / a devil / a devil / a devil<br /> or an angel / an angel / an angel / an angel<br /> nearer and nearer and nearer and nearer</p>",
"release": 3,
"track": 10
}
},
{
"model": "music.song",
"pk": 36,
"fields": {
"publish": true,
"publish_on": "2009-07-01T00:00:00Z",
"title": "You Better Hope You (Die Before Me)",
"slug": "you-better-hope-you",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2009 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>the phone line is broken<br /> the tapes are all erased<br /> someone’s at the door<br /> you know his wares have all been laced<br /> you better hope you die before me</p>\n<p>if you take it as a compliment<br /> you’re out of your tree<br /> the horses are all ready<br /> and they know as well as me<br /> that you better hope you die before me</p>\n<p>everybody knows you climb a ladder so well<br /> impressive demonstrations of your speech and spells<br /> but you better hope you die before me</p>\n<p>so dress me up in wires<br /> I’ll plug into the feed<br /> of blasted out basement shows<br /> bursting at the seams<br /> and you better hope you die before me</p>\n<p>the house is infested with<br /> with pests of every kind<br /> but at least they have the courtesy<br /> to stay out of my mind<br /> you’re broken, alone, down, and undreamed</p>\n<p>you can bang on every wind chime<br /> or light a torch for me<br /> or magnify your tiny soul<br /> with a microscope from me<br /> and you better hope you die before me</p>",
"release": 3,
"track": 11
}
},
{
"model": "music.song",
"pk": 37,
"fields": {
"publish": true,
"publish_on": "2009-07-01T00:00:00Z",
"title": "It Carries Back",
"slug": "it-carries-back",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2009 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>I miss so many people<br /> it carries back<br /> there is no re-arrival<br /> no loophole trap</p>\n<p>explain it backwards for me<br /> and I’ll be your sweetheart<br /> without deceit<br /> no more wars<br /> I’m a big fan<br /> it’s a sinking house<br /> we’ve just begun</p>\n<p>the fog was lifting out of her mouth<br /> when I awoke<br /> a fire escape<br /> or a water arrival<br /> we’re just bicycle spokes</p>\n<p>churning away the time<br /> shooting it off to deep space<br /> well goodbye time<br /> we loved you well<br /> you’re still alive<br /> in the videotape<br /> and the child’s poem<br /> we’ve just begun</p>\n<p>take off your jacket<br /> and black tie<br /> collapse into a dream<br /> where the house lifts up<br /> to the tree tops<br /> and the clouds begin</p>\n<p>then I make a parachute<br /> out of the bedding<br /> and make my stance<br /> by falling down<br /> without deceit<br /> no more wars<br /> it’s a sinking house<br /> well goodbye time<br /> we loved you well<br /> we’ve just begun<br /> we’ve just begun</p>",
"release": 3,
"track": 12
}
},
{
"model": "music.song",
"pk": 38,
"fields": {
"publish": true,
"publish_on": "2009-09-30T00:00:00Z",
"title": "Flight Of The Paper Pilots",
"slug": "paper-pilots",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2009 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>jammed by these satellite signals<br /> our path now encumbered by clouds<br /> our secret plans spoken out loud<br /> the devil’s in the details but<br /> no one really knew that till now</p>\n<p>you’ve got Everett wearing x-ray glasses<br /> trying to get off in the sand<br /> while Casey makes a map of the land<br /> we get beat up and punched out<br /> beat up and punched out<br /> beat up and punched out<br /> yeah, we almost get gone</p>\n<p>all I need are 8 cups of coffee<br /> some beer and my cigarettes<br /> we’ll steer the ship towards the rocky inlets<br /> behold the cargo in the water — an ocean full of country duets</p>\n<p>“kill me, Captain Courage, I love you<br /> but my paper pilots are caught in a trap”<br /> and nothing’s gonna bring them back<br /> so the obits in the paper detail everything<br /> that slips through the cracks</p>\n<p>treat me like the probation officer you never had<br /> i’ll get you work in a book-binding warehouse<br /> but if you fall across the wayside I really can’t<br /> be called to repeat what I once screamed</p>\n<p>all these pilots becoming part of my life<br /> as my old self goes under the knife<br /> the doctor says, “don’t worry, cuz<br /> I know this procedure like I know the back of my wife.”<br /> And that’s pretty damn well</p>\n<p>jammed by these satellite signals<br /> our path now encumbered by clouds<br /> our secret plans spoken out loud<br /> the devil’s in the details but<br /> no one really knew that till now</p>",
"release": 3,
"track": 13
}
},
{
"model": "music.song",
"pk": 39,
"fields": {
"publish": true,
"publish_on": "2010-06-16T08:11:10Z",
"title": "That Ticking Sound You Hear",
"slug": "ticking-sound",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2010 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>I saw your name<br />on a blacklist in the city<br />assembled outright by committee<br />they play to win, they play to win<br />I've come around</p>\n<p>out of my mind<br />out of context, on a substance<br />in the bathroom of your apartment<br />I've got a note from a doctor<br />that this is allowed</p>\n<p>and all of these unbelievable villains<br />come my way<br />they hold up photos<br />they say they know you<br />you and I</p>\n<p>and that ticking sound hear<br />let's pay it no mind<br />let's pay it no mind </p>",
"release": 9,
"track": 14
}
},
{
"model": "music.song",
"pk": 40,
"fields": {
"publish": true,
"publish_on": "2010-06-16T08:14:07Z",
"title": "Introductory Saints",
"slug": "introductory-saints",
"player_code": "",
"description": "",
"credits": "<p>Written by Ryan Walsh, © 2010 Reverse The Tape Decks (ASCAP)</p>",
"lyrics": "<p>gentlemen<br /> he said forever<br /> so we can talk about it, talk about it<br /> talk about it 'till it's all akimbo</p>\n<p>and if it's true that we've all forgotten something<br /> you can take a potent memory pill<br /> and we can reconstruct the past with a sail and a mast<br /> and we'll float on into the sunset</p>\n<p>our phones our wide open<br /> introductory saints<br /> you are the secretary of my security<br /> and I'm the czar of whatever it takes<br /> and darlin' one of us, one of us<br /> one of us is one of them</p>\n<p>watch your weapons<br /> there are those who do covet<br /> and the last thing we need is an obituary feed<br /> that scrolls with names that we all know</p>\n<p>and if it's true that we've all forgotten something<br /> you can take a potent memory pill<br /> and you'll remember why you're hear and you'll cry in your beer<br /> 'cause the next week is gonna be rough</p>\n<p>our phones our wide open<br /> introductory saints<br /> you are the secretary of my security<br /> and I'm the czar of whatever it takes<br /> and darlin' one of us, one of us<br /> one of us is one of them</p>",
"release": 9,
"track": 12
}
},
{
"model": "music.song",
"pk": 42,
"fields": {
"publish": true,
"publish_on": "2013-05-07T20:00:00Z",
"title": "Country Before Kings",
"slug": "country-before-kings",
"player_code": "",
"description": "",
"credits": "",
"lyrics": "<p>Knock, knock here I am a civilian outpost <br /> I’ve been dreaming for two <br /> We look out for quicksand <br /> Cuz we bottle and rebrand <br /> and return nightly home to you <br /> C’mon Ghost-o, is this your card? <br /> I’ve been rehearsing this trick for weeks <br /> Summoned and sunburned, enormously ticked off <br /> I’d fade away if this wasn’t sweet</p>\n<p>Last night I figured out how this will work <br /> And it’s not some slight of hand <br /> It’s a different way not to die <br /> You could trust me and try it for awhile</p>\n<p>Country Before Kings! And kings after: <br /> 1) This most pleasant evening <br /> 2) Your horoscope’s meaning <br /> I finally figured it out</p>\n<p>For Christ’s sake knock it off <br /> The cameras are rolling <br /> Let’s explore the least we could be Two tandem sleepers <br /> Like twin engine heaters <br /> Hold a light & carry this through <br /> There is no song, there is no guide <br /> To lend a clue where we ought to be <br /> Exalted and poised to type out a paean <br /> This isn’t for the king it’s for me</p>\n<p>Country Before Kings! And kings after: <br /> 1) This most pleasant evening <br /> 2) Your horoscope’s meaning <br /> I finally figured it out</p>",
"release": 9,
"track": 2
}
},
{
"model": "music.song",
"pk": 43,
"fields": {
"publish": true,
"publish_on": "2011-03-22T21:18:58Z",
"title": "Some Of Them We Lost",
"slug": "some-of-them-we-lost",
"player_code": "",
"description": "",
"credits": "",
"lyrics": "<p>For the kids, at the time <br /> These decisions all seemed right <br /> When the militant party lines <br /> Said, “you’re coming with us and we’ll show you how to shine a light” <br /> So some went ahead with a certain look in their eyes</p>\n<p>Was it me or was it you <br /> That convinced us that we knew <br /> Which parts we made up on the spot <br /> Now the translator has some interesting words for the press <br /> I’ll explain it again though I think that you all know the rest</p>\n<p>And some of them we lost when the city turned its lights out <br /> But all of them were still screaming “yeah! yeah! yeah!” <br /> Hey Man, you’re alive</p>",
"release": 9,
"track": 6
}
},
{
"model": "music.song",
"pk": 44,
"fields": {
"publish": true,
"publish_on": "2011-11-16T09:05:00Z",
"title": "Amateurs",
"slug": "amateurs",
"player_code": "",
"description": "",
"credits": "",
"lyrics": "<p>Big time issues in air tight jars <br /> There’s a furnace fuel that can outpace cars <br /> We all made the cut so let’s break some laws <br /> Can you turn me up in the speakers?</p>\n<p>We’re amateurs but we speak like pros <br /> If you leave by dusk can you leave me a note? <br /> We both know the score but keep hitting the ropes <br /> Can you deal with unconditional clauses?</p>\n<p>No more light sources from the to and the fro <br /> We’re coming out loud & clean <br /> Making the most of the moves, oh</p>\n<p>A-M-A-T-E-U-R-S</p>\n<p>Later on we killed some time <br /> Kicking down some doors on the company’s dime <br /> The mystery’s here to be thrashed and mined <br /> Can we almost hit the edge of the pulse point?</p>\n<p>Make like millions & speak with care <br /> There’s a suit laid out for a formal affair <br /> They can’t spot a novice if he acts like an heir <br /> And an heir only acts as he pleases</p>\n<p>No more short cuts through the halls of the king <br /> We’re coming out loud & clean <br /> Making the most of the moves, oh</p>\n<p>A-M-A-T-E-U-R-S</p>\n<p>Amateurs! Amateurs! We wish you well, we wish you well</p>\n<p>“We’re Amateurs”</p>\n<p>A-M-A-T-E-U-R-S</p>",
"release": 9,
"track": 11
}
},
{
"model": "music.song",
"pk": 45,
"fields": {
"publish": true,
"publish_on": "2011-11-16T09:06:00Z",
"title": "The Girls Are Here",
"slug": "girls-are-here",
"player_code": "",
"description": "",
"credits": "",
"lyrics": "<p>The girls are here <br /> The rules have changed <br /> To the streets, up the hill, over plains <br /> Come on team <br /> So I can feel <br /> Lost, harassed, and new</p>\n<p>There’s nothing <br /> They’ve shown us <br /> We’d kill to have <br /> There’s nothing like this at all</p>\n<p>Come on team <br /> So I can feel <br /> Lost, harassed, and new</p>\n<p>To the trustees of a verified nation <br /> Where have you been, what have we done? <br /> To the old friends who scavenge for an anecdote <br /> Rummage no more, we’ve got one for you <br /> And here’s to the predictions of amateurs <br /> Their net cast so wide, their Hail Mary moves <br /> And what creeps in the dark resides in all of us <br /> Keep transcripts and notes and meet me out back</p>\n<p>Ooooooooh <br /> Caress me now <br /> And I’ll come back again</p>\n<p>The girls are here <br /> The rules have changed <br /> To the streets, up the hill, over plains</p>\n<p>Come on team <br /> So I can feel <br /> Lost, harassed, and new</p>\n<p>Whatever it is in the way <br /> Tear it down - make the time <br /> Come on out for the week <br /> Bring the wife - no regrets</p>",
"release": 9,
"track": 15
}
},
{
"model": "music.song",
"pk": 46,
"fields": {
"publish": true,
"publish_on": "2012-04-01T21:10:26Z",
"title": "Get Me In A Room",
"slug": "get-me-in-a-room",
"player_code": "",
"description": "",
"credits": "<ul>\n<li>David Bentley - guitar </li>\n<li>David Bryson - drums </li>\n<li>Elio DeLuca - string synth, piano, backing vocals </li>\n<li>Joseph Marrett - banjo </li>\n<li>Brian Rutledge - moog </li>\n<li>Ryan Walsh - vocals, guitar, samples </li>\n<li>Nicholas Giadone Ward - bass </li>\n<li>Noell Dorsey, Katie Von Schleicher, Leah Hennessy - backing vocals</li>\n</ul>",
"lyrics": "<p>It would be wrong for me to sing the blues <br /> All of my bad dies proportionately kind <br /> So if I must lose, lemme lose, spectacularly <br /> Wrap up my wounds and just turn out the lights</p>\n<p>It would be fine to hum some overture <br /> A classical song to get us in on the plot <br /> I’ve been to these towns, where the sounds <br /> Of the disaffected youth <br /> Will get you to drop down and count out your days <br /> So count out your days</p>\n<p>Nice Tries On Some Borderline <br /> Title TBA Just Get Me In A Room</p>\n<p>I told you before about my run-in with hymns <br /> Collectively stoned in the Sunday dawn <br /> But I came to see <br /> Even thee <br /> Would welcome an enemy <br /> If it arrived in the form of a song <br /> So arrive in a song</p>\n<p>Nice Tries On Some Borderline <br /> Title TBA Just Get Me In A Room</p>\n<p>You see I thought I had it figured out but I guess that I was wrong <br /> Title TBA Just Get Me In A Room <br /> Title TBA Just Get Me In A Room <br /> Title TBA Just Get Me In A</p>",
"release": 7,
"track": 1
}
},
{
"model": "music.song",
"pk": 47,
"fields": {
"publish": true,
"publish_on": "2012-04-01T21:11:40Z",
"title": "Nightingale Lightning",
"slug": "nightingale-lightning",
"player_code": "",
"description": "",
"credits": "<ul>\n<li>David Bentley - guitar </li>\n<li>David Bryson - drums </li>\n<li>Elio DeLuca - guitar, moog, backing vocals </li>\n<li>Joseph Marrett - tambourine, cuatro </li>\n<li>Brian Rutledge - trumpet </li>\n<li>Ryan Walsh - vocals, guitar, samples </li>\n<li>Nicholas Giadone Ward - bass</li>\n</ul>",
"lyrics": "<p>Watch as this falls apart <br /> Ballet in reverse <br /> Revival of sins and critics who <br /> You thought had moved on <br /> To pastures of green <br /> Or somewhere just as baroque</p>\n<p>Nightingale Lightning! <br /> Nightingale Lightning! <br /> Hello! Hello! Hello!</p>\n<p>This is somewhat unique <br /> For a man of my class <br /> And stance and stature <br /> To stand and smoke down to the bone <br /> My cigarette <br /> And blow the smoke into the</p>\n<p>FILMS <br /> THE POPULAR SONGS <br /> THE HEADLINE PARADES <br /> THE STARS OF THE STAGE & TV <br /> SO THAT <br /> WHEN THEY REMEMBER <br /> THEY WILL REMEMBER <br /> IN A HAZE</p>\n<p>Hello! Nightingale Lightning! <br /> Nightingale Lightning! <br /> Hello! Hello!</p>",
"release": 7,
"track": 2
}
},
{
"model": "music.song",
"pk": 48,
"fields": {
"publish": true,
"publish_on": "2012-04-01T21:12:14Z",
"title": "Care To Collapse",
"slug": "care-to-collapse",
"player_code": "",
"description": "",
"credits": "<ul>\n<li>David Bentley - cello </li>\n<li>David Bryson - drums </li>\n<li>Elio DeLuca - wurlitzer, piano, glockenspiel, percussion </li>\n<li>Joseph Marrett - banjo, tambourine</li>\n<li>Brian Rutledge - trumpet, trombone </li>\n<li>Ryan Walsh - vocals, guitar </li>\n<li>Nicholas Giadone Ward - bass </li>\n<li>Mike Fiore - backing vocals</li>\n</ul>",
"lyrics": "<p>You scribbled down these words for me: <br /> “take your place in the garden” <br /> I took it up with bourbon to decipher in the top of a tree <br /> With boredom comes no more burden <br /> But a price is paid regardless <br /> Nostalgia held hostage in the wings, you know it’s just for the show <br /> If you ever <br /> Care to collapse <br /> If you ever come to <br /> You should know <br /> You should know <br /> What I did in LA <br /> Where I lived in Dallas <br /> Why I left New York <br /> & What occurred in Boise <br /> So if you ever care to collapse <br /> And if you ever come to</p>\n<p>So keep it all under your hat <br /> Or other appropriate expressions <br /> Cuz winter’s like a boxing match <br /> Televised but turned down low <br /> I’ve got my finger on your position <br /> Your voice, your keys, and direction <br /> Cuz any old psychic can tell you everything is a sign <br /> So If you ever <br /> Care to collapse <br /> If you ever come to <br /> You should know <br /> You should know <br /> What I did in LA <br /> Where I lived in Dallas <br /> Why I left New York <br /> & What occurred in Boise <br /> I feel like something ghostly <br /> If you were here so would you <br /> So would you</p>",
"release": 7,
"track": 3
}
},
{
"model": "music.song",
"pk": 49,
"fields": {
"publish": true,
"publish_on": "2012-04-01T21:12:53Z",
"title": "Hungry Ghost Extraordinaire",
"slug": "hungry-ghost-extraordinaire",
"player_code": "",
"description": "",
"credits": "<ul>\n<li>David Bentley - cello </li>\n<li>David Bryson - drums </li>\n<li>Joseph Marrett - banjo </li>\n<li>Brian Rutledge - trumpet </li>\n<li>Ryan Walsh - vocals, guitar, samples </li>\n<li>Nicholas Giadone Ward - upright bass, electric bass </li>\n<li>Mike Fiore - backing vocals </li>\n<li>Marissa Nadler - backing vocals </li>\n</ul>",
"lyrics": "<p>I was born in the middle of a screaming match <br /> Cleaned up sent to live with monks <br /> Raised up by Arabian wolves <br /> Grew up in the eye of a storm <br /> A gentleman crossed with a fiend <br /> Oh and I do say <br /> Oh and I do say</p>\n<p>Hungry Ghost Extraordinaire <br /> I believe we’ve been everywhere <br /> We sing so sweetly in the annals of the world <br /> These siren songs for misanthrope ears</p>\n<p>I grew old in the shadow of a prison wall <br /> Commemorated then thrown away <br /> Memorialized but wanted alive <br /> Canonized yet despised by all <br /> A cautionary tale for the kids <br /> Oh and I do say <br /> Oh and I do say</p>\n<p>Hungry Ghost Extraordinaire <br /> I believe we’ve been everywhere <br /> We sing so sweetly in the annals of the world <br /> These siren songs for misanthrope ears</p>\n<p>WHAT THEY SAY ABOUT ME IS TRUE <br /> BUT WHAT THEY SAY ABOUT YOU IS TOO <br /> WHAT THEY SAY ABOUT ME IS TRUE <br /> BUT WHAT THEY SAY ABOUT YOU IS TOO</p>\n<p>Hungry Ghost Extraordinaire <br /> I believe we’ve been everywhere <br /> We sing so sweetly in the annals of the world <br /> These siren songs for misanthrope ears <br /> This violent hymn through halcyon tears</p>\n<p>And what they say about me is true <br /> But what they say about you is too</p>",
"release": 7,
"track": 4
}
},
{
"model": "music.song",
"pk": 50,
"fields": {
"publish": true,
"publish_on": "2012-04-01T21:13:30Z",
"title": "No One Knows What Happens Next",
"slug": "no-one-knows-what-happens-next",
"player_code": "",
"description": "",
"credits": "<ul>\n<li>Ryan Walsh - samples, editing </li>\n<li>Elio DeLuca - organ </li>\n<li>Unidentified Woman - vocals </li>\n</ul>",
"lyrics": "",
"release": 7,
"track": 5
}
},
{
"model": "music.song",
"pk": 51,
"fields": {
"publish": true,
"publish_on": "2012-04-01T21:13:49Z",
"title": "Dead People's Music",
"slug": "dead-peoples-music",
"player_code": "",
"description": "",
"credits": "<ul>\n<li>David Bentley - guitar </li>\n<li>David Bryson - drums </li>\n<li>Elio DeLuca - rhodes, organ, backing vocals </li>\n<li>Joseph Marrett - banjo </li>\n<li>Brian Rutledge - trumpet, trombone </li>\n<li>Ryan Walsh - vocals, guitar </li>\n<li>Nicholas Giadone Ward - bass </li>\n<li>Mike Fiore - backing vocals </li>\n</ul>",
"lyrics": "<p>There’s no use pretending <br /> This life is unending or cruel <br /> The litany is endless <br /> But the feelings behind it have cooled <br /> And I could care less <br /> About a silhouette down by the shore <br /> We play Dead People’s Music <br /> And we mistake the mirror for more</p>\n<p>When the storyline’s fractured <br /> And the details of the dream are too much (too much) <br /> I kick out the stage lights <br /> I flick every switch that should remain on <br /> Now I couldn’t hear <br /> The sirens through the city’s rain veneer <br /> We play Dead People’s Music <br /> And we mistake the mirror for more</p>\n<p>Some Noble Human Motive <br /> You Stick Together Or You Hang Alone <br /> This Is An Adventure <br /> & It Can Never, Ever, Ever, Ever Stop <br /> & It Can Never, Ever, Ever, Ever Stop</p>\n<p>So there’s no use pretending <br /> This life is unending or cruel <br /> The litany is endless <br /> But the feelings behind it have cooled <br /> I couldn’t see <br /> The forest through the dark, twisted trees <br /> We play Dead People’s Music <br /> And we mistake the mirror for more <br /> We play Dead People’s Music <br /> And we mistake the mirror for more <br /> We play Dead People’s Music <br /> And we mistake the mirror for more</p>",
"release": 7,
"track": 6
}
},
{
"model": "music.song",
"pk": 52,
"fields": {
"publish": true,
"publish_on": "2012-04-01T21:14:16Z",
"title": "People Breathe Into Other People",
"slug": "people-breathe-into-other-people",
"player_code": "",
"description": "",
"credits": "<ul>\n<li>David Bentley - guitar, backing vocals </li>\n<li>David Bryson - drums </li>\n<li>Elio DeLuca - rhodes, organ, backing vocals </li>\n<li>Joseph Marrett - backing vocals </li>\n<li>Brian Rutledge - trumpet, backing vocals </li>\n<li>Ryan Walsh - vocals, guitar, samples </li>\n<li>Nicholas Giadone Ward - bass, backing vocals </li>\n</ul>",
"lyrics": "<p>Well I paced for some duration <br /> And the sum of the steps left us scarred <br /> With a trap door heart and an X-Ray head, we depart <br /> Now there’s no such thing as sleeping <br /> And there’s no such thing as the past <br /> The dares from the crowd <br /> Were spoken out loud <br /> And that’s that <br /> What is this world? <br /> What is this world? <br /> Now let’s walk through the next few moments <br /> With the caution and care of a fawn <br /> Like paper mache if you’re poetic that way <br /> But you’re not</p>\n<p>What is this world? <br /> What is this world? <br /> People Breathe Into Other People And Bring Them Back To Life <br /> People Breathe Into Other People And Bring Them Back To Life <br /> People Breathe Into Other People And Bring Them Back To Life <br /> People Breathe Into Other People And Bring Them Back To Life <br /> People Breathe Into Other People And Bring Them Back To Life <br /> People Breathe Into Other People And Bring Them Back To Life <br /> People Breathe Into Other People And Bring Them Back To Life <br /> People Breathe Into Other People And Bring Them Back To Life <br /> People Breathe Into Other People And Bring Them Back To Life <br /> People Breathe Into Other People And Bring Them Back To Life <br /> What is this world?</p>",
"release": 7,
"track": 7
}
},
{
"model": "music.song",
"pk": 53,
"fields": {
"publish": true,
"publish_on": "2012-04-01T21:15:29Z",
"title": "The Game Changes Me",
"slug": "game-changes-me",
"player_code": "",
"description": "",
"credits": "<ul>\n<li>David Bentley - guitar </li>\n<li>David Bryson - drums </li>\n<li>Elio DeLuca - wurlitzer, shaker </li>\n<li>Brian Rutledge - trumpet </li>\n<li>Ryan Walsh - vocals, guitar </li>\n<li>Nicholas Giadone Ward - bass </li>\n<li>Mike Fiore - backing vocals </li>\n<li>Noell Dorsey, Katie Von Schleicher, Leah Hennessy - backing vocals </li>\n</ul>",
"lyrics": "<p>The night is filled with only three thoughts <br /> And they took two out back and were shot <br /> Now we’re left with one <br /> Singular thing <br /> To wrestle into this world <br /> I’m gonna change my game <br /> Until the game changes me <br /> And in a book of Child ballads I finally saw what you claimed to see <br /> Infiltrate me some simple way <br /> The night is filled with only one thought</p>\n<p>Are you averse to a transformation? <br /> Do you believe in the afterlife? <br /> Hold me steady while I drink this deluge <br /> Do you believe in the afterlife? <br /> Someone, somewhere said something prophetic but no one thought to kick it through me</p>\n<p>There used to be a way to get free <br /> Without the use of A, B, or C <br /> But the boilerplate cooled <br /> And broke into shards <br /> The museum put it on display <br /> I’m gonna catch some thought <br /> And distill it through you <br /> When the last day of the season comes crawling you’ll know just what to do <br /> Infiltrate me some simple way <br /> The night is filled with only one thought</p>\n<p>Are you averse to a transformation? <br /> Do you believe in the afterlife? <br /> Kiss me slowly with a curse word come-on <br /> Do you believe in the afterlife? <br /> Someone, somewhere said something prophetic but no one thought to kick it through me</p>\n<p>Like a living, breathing tattoo <br /> With the papers for the passing <br /> Some encyclopedic come-on <br /> Comes crashing through a white light <br /> And stays to infiltrate me some simple way!</p>\n<p>Are you averse to a transformation? <br /> Do you believe in the afterlife? <br /> Hold me steady while I drink this deluge <br /> Do you believe in the afterlife? <br /> Kiss me slowly with a curse word come on <br /> Do you believe in the afterlife? <br /> Someone, somewhere said something prophetic but no one thought to kick it through me</p>",
"release": 7,
"track": 8
}
},
{
"model": "music.song",
"pk": 54,
"fields": {
"publish": true,
"publish_on": "2012-04-01T21:16:43Z",
"title": "Hello, My Destroyer",
"slug": "hello-my-destroyer",
"player_code": "",
"description": "",
"credits": "<ul>\n<li>David Bentley - cello </li>\n<li>David Bryson - drums </li>\n<li>Elio DeLuca - guitar, organ, rhodes </li>\n<li>Joseph Marrett - banjo </li>\n<li>Brian Rutledge - trumpet </li>\n<li>Ryan Walsh - vocals, guitar </li>\n<li>Nicholas Giadone Ward - bass </li>\n</ul>",
"lyrics": "<p>Amidst the canteens and vitamins <br /> Amongst the lit up liturgical themes <br /> There were breaks in the code, yes, I heard: <br /> Spoken cues inside mechanical birds</p>\n<p>Clocked in at 7:09 <br /> I took the stenograph out for a spin <br /> You were searching for The Party Within <br /> I was typing out the language of men <br /> And with that we begin</p>\n<p>Hello, My Destroyer, Can I Destroy You?</p>\n<p>Meanwhile, in somebody’s dream <br /> I was stabbed in the back constantly <br /> I grew to take it as a compliment <br /> Cuz I can take it if y’all have to vent <br /> There were starlit nights in the grove <br /> Where we sucked out the gin from our sleeves <br /> They we took aim at the thoughts in the eaves <br /> Now this next part is hard to believe <br /> But it’s true, I reprise</p>\n<p>Hello, My Destroyer, Can I Destroy You? <br /> Can I Destroy You? <br /> Can I Destroy You? <br /> And then right on cue <br /> You could destroy me too</p>\n<p>Hellhound in the foyer <br /> Fooled again by mannequins <br /> We escape again <br /> From the straight jacket <br /> It’s alarming, man <br /> But it’s nothing you can’t stand <br /> You’re a full grown human man</p>\n<p>Hello, My Destroyer, Can I Destroy You? <br /> Can I Destroy You? <br /> Can I Destroy You? <br /> And then right on cue <br /> You could destroy me too</p>",
"release": 7,
"track": 9
}
},
{
"model": "music.song",
"pk": 55,
"fields": {
"publish": true,
"publish_on": "2012-04-01T21:17:11Z",
"title": "Call Off Your Horses",
"slug": "call-off-your-horses",
"player_code": "",
"description": "",
"credits": "<ul>\n<li>David Bentley - cello </li>\n<li>David Bryson - drums </li>\n<li>Elio DeLuca - guitar, piano, backing vocals </li>\n<li>Joseph Marrett - cuatro </li>\n<li>Brian Rutledge - trombone </li>\n<li>Ryan Walsh - vocals, guitar </li>\n<li>Nicholas Giadone Ward - bass</li>\n</ul>",
"lyrics": "<p>I am the token fiend you read about in the bible <br /> The kind that would come and ruin a miraculous scene <br /> You had the distinct privilege of being my rival <br /> And we took the thrill of a fight and it turned it into a creed</p>\n<p>So call all your horses off <br /> Sing out the names of the brave <br /> And rise up from whence you came <br /> And come back to reload rifles in the rain</p>\n<p>They say that you could force a field into your vision <br /> And unfurl a banner that reads “you are coming with me” <br /> Don’t think too long, too hard, or ask for permission <br /> But don’t buy the myth that nothing’s gonna get in the way</p>\n<p>So call all your horses off <br /> Sing out the names of the brave <br /> And rise up from whence you came <br /> And come back to reload rifles in the rain</p>",
"release": 7,
"track": 10
}
},
{
"model": "music.song",
"pk": 56,
"fields": {
"publish": true,
"publish_on": "2013-02-13T21:54:57Z",
"title": "The Three Minute Mark",
"slug": "three-minute-mark",
"player_code": "",
"description": "",
"credits": "",
"lyrics": "<p>Pour me a drink <br /> Let me explain the wall paper <br /> It’s not impossible to translate this dream <br /> You’ve kept it afloat <br /> Tell me about some love affair <br /> It’s maybe the case that it won’t bother me now</p>\n<p>We once had our best interests <br /> Stripped and tied to some American sound</p>\n<p>Just press record <br /> We’ll cover mistakes with harmonies <br /> It’s not impossible to sing what you mean <br /> But it might be the last thing that we need</p>\n<p>I caught some heat in the reviews <br /> When I betrayed American sounds <br /> I’m calling from the club’s phone <br /> In a bad part of some American town <br /> I met the man who played you every song <br /> That some American found <br /> We once had our best interests <br /> Stripped and tied to some American sound</p>\n<p>I’ll need about 3 minutes to explain just how I feel for you now</p>",
"release": 9,
"track": 5
}
},
{
"model": "music.song",
"pk": 57,
"fields": {
"publish": true,
"publish_on": "2013-02-13T21:55:29Z",
"title": "Meet Me In The Car",
"slug": "meet-me-car",
"player_code": "",
"description": "",
"credits": "",
"lyrics": "<p>Here we go <br /> Sno-Cone baby, I love you in the morning <br /> Sweetest lows <br /> KO, Uncle, I’ll meet you in the driveway</p>\n<p>Watch this space <br /> unseen terrors crashing into our lives <br /> Boxes check <br /> But no more spark than any average romance</p>\n<p>Go ahead and hook me to the polygraph <br /> We got a lot of people hoping for the best</p>\n<p>I remember this! <br /> Don’t mention the odds <br /> Meet me in the car</p>\n<p>I am the setting sun <br /> You are the rising moon</p>",
"release": 9,
"track": 4
}
},
{
"model": "music.song",
"pk": 58,
"fields": {
"publish": true,
"publish_on": "2013-05-07T22:44:20Z",
"title": "Honey, Don't It All Seem So Phony",
"slug": "honey-dont-it-all-seem-so-phony",
"player_code": "",
"description": "",
"credits": "",
"lyrics": "<p>My twin teleprompters humming in the night <br /> Trying to send a signal I should lose this fight <br /> But I never took a fall and you’re probably right <br /> This bout will yield nothing but losers</p>\n<p>I saw you breaking down in a magazine <br /> And I never told a soul what it meant to me <br /> Now I’m on a mission fueled by LSD <br /> Trying to break these patterns</p>\n<p>But I assure you <br /> With a capital A <br /> We’re just players in a fake play <br /> Honey, don’t it all seem so phony?</p>\n<p>Ladies & gentlemen, may I introduce <br /> Some dark side of me that’s gotten loose <br /> He’s making the rounds, yeah it’s probably true <br /> They say he looks exactly like me</p>\n<p>While you’re back home making real life moves <br /> I’m in a motel outside a Baton Rouge <br /> Reading these pages to some local girl <br /> “Honey, won’t you read my manifesto?”</p>\n<p>But I assure you <br /> With a capital A <br /> We’re just players in a fake play <br /> Honey, don’t it all seem so phony?</p>\n<p>I been running a marathon <br /> It’s me vs. the hangers-on <br /> We keep singing the same song <br /> In the wrong key <br /> I’m not here to deliberate <br /> I’m not here to associate <br /> I’m only trying to escape my fate <br /> Though it’s not polite <br /> It could happen tonight</p>\n<p>But I assure you <br /> With a capital A <br /> We’re just players in a fake play <br /> Honey, don’t it all seem so phony?</p>\n<p>I’m gonna build a world that won’t fall apart <br /> Does anybody wanna come with me?</p>",
"release": 9,
"track": 1
}
},
{
"model": "music.song",
"pk": 59,
"fields": {
"publish": true,
"publish_on": "2013-05-07T22:45:11Z",
"title": "Confessions Of An Ex-Ghost",